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        <title>the moment you realize the camera guy is actually a magician</title>
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        <description>#theprestige #christophernolan #videoessay // Support my channel on Patreon: https://www.patreon.com/CinemaStix Go check out the first episode of my new series called "Let's Rewind" with a free 3-day trial of Nebula: https://nebula.tv/videos/cinemastix-samuel-l-jackson-from-marine-biology-major-to-international-superstar-lets-rewind —This is a redux of a very early video of mine. All footage has been replaced with superior quality assets, plus other minor adjustments.— From Inception and The Dark Knight Trilogy to Interstellar and Tenet, Christopher Nolan has directed some of the most spectacular and thought-provoking films out there. But today, I want to take a step back to examine his smallest and cheapest studio film: The Prestige (2006). Specifically, I'll take you through some of the simple, yet highly effective, ways Nolan and his cinematographer, Wally Pfister, shot and lit The Prestige in less time and with a smaller budget. Written &amp; edited by Danny Boyd</description>
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